Brazzaville NF
Barnhard Brothers and Spindler called this typeface Congo when it appeared in their circa-1910 type catalog. The design is characterized by strong Art Nouveau influences, tight spacing and a large ...
Barnhard Brothers and Spindler called this typeface Congo when it appeared in their circa-1910 type catalog. The design is characterized by strong Art Nouveau influences, tight spacing and a large ...
Lettering artist Alf Becker suggested that this typeface was suitable for postcard work, and we agree (although it's suitable for a great many other uses, as well). It packs a lot of information in a ...
This little gem is based on a typeface discovered in a Boston Type Foundry catalog from the late 1800s, originally called "Mikado". This font gets its name from one of the more memorable characters ...
Another addition to the Whiz Bang Woodtype series, this typeface is a double-wide, extrabold version of the so-called Tuscan style of lettering, popular at the end of the nineteenth century. Named ...
Bold geometric shapes, softened with graceful finishes, characterize this jazz-age offering first proposed by lettering artist Eric Matthews. Best used as upper- and lowercase. Both versions of this ...
The name comes from a British expression about two things that couldn't be more different, and it suits this offering to a tee. The uppercase of this typeface is based on 1930s lettering by French ...
In his book of Showcard Alphabets, Dan X. Solo called this one Funhouse, and we couldn't agree more. Wild, wacky and slightly tacky, but suitable for the whole family. The Opentype version of this ...
This decidedly Deco offering is based on a rather unconventional stencil lettering treatment offered by F. A. Pearson in his 1923 tome, Ticket and Showcard Designing. Strong and stylish, the design ...
In their circa 1900 specimen catalog, Barnhard Brothers and Spindler called this typeface "Samoa", suggesting exotic locales. On the other hand, it also suggests some serious fun, and is named in ...
A collision between fine, fat caps developed by legendary letterer Alf Becker, and a squirrely, curly, uncredited lowercase uncovered by artist Leslie Cabarga produced this merry romp through the ...