Kunstgewerbe NF
J. M. Bergling called the inspiration for this typeface “modern”—at least, it passed for modern in 1914. Its bold, sinuous forms and unusual decorative treatment suggest stained glass of a certain ...
J. M. Bergling called the inspiration for this typeface “modern”—at least, it passed for modern in 1914. Its bold, sinuous forms and unusual decorative treatment suggest stained glass of a certain ...
Based on a old standard, Tudor Black, this version offers a dramatic inline treatment that adds sparkle and grace. The typeface takes its name from Ford Motor Company's old designation for a sedan. ...
This delightful semiscript is based on an offering from a 1930s specimen book from the Mergenthaler Linotype Company, originally called, simply, "Card Italic". Elegant without being stuffy, it is ...
The pattern for this graceful, subtly modulated Art Deco typeface was designed by Willard T. Sniffin for American Type Founders in the 1930s. True to the original design, the Swash Caps version ...
An unannotated photocopy tucked inside the leaves of an old lettering book yielded this unusual and exuberant Art Deco face. The caps feature a simple “bubbly” pattern that makes this offering pack a ...
This unusual face features letterforms inspired by an Austrian travel poster designed by Johann Süssenbek in the 1930s, and rendered in a bold chiaroscuro manner. In case you're wondering, Escondido ...
Another gem from the Blandford Press Pen and Brush Lettering and Practical Alphabets, this in-your-face typeface features strong geometric elements, delineated in blueprint fashion. A surefire ...
This little charmer combines an uppercase designed by American lettering artist J. M. Bergling with a lowercase designed by English architect Roland W. Paul. The result has a wiggle in its walk and a ...
The 1888 edtion of James Conner's Sons United States Type Foundry specimen book listed this little gem simply as "Antique Light". Its original, rather anemic outlines have been beefed up and its ...
The inspiration for this proto-Art Nouveau typeface showed up in the 1887 type specimen book of Farmer, Little & Co. under the name Vassar. Its bold, sinuous curves, which take unexpected turns now ...