Arbotek

Arbotek

Arbotek has the original skeleton that the author used for the development of his typeface Arboria, a real 'architect typography', with a basic and radical approach to pure geometric forms. The three ...

Lalola

Lalola

Lalola (whose early version was released as ‘Lola’ by the spanish foundry Type-Ø-Tones in 1997) is a display typeface with strong attitude. It was inspired by a lettering model by Eugen Nerdinger and ...

Karol Sans

Karol Sans

Karol Sans is the perfect companion for Karol, without being a literal translation of it. It has its own personality and offers a wider range of six weights and their italics which gives it added ...

Tschicholina

Tschicholina

Tschicholina is inspired by a project by Jan Tschichold dating back to 1929. It is a unicase "universal" font which has always been considered to have very little future; this is why we have it in ...

Mayayo

Mayayo

We usually describe Mayayo as no good for condolence letters, nor for carving inscriptions, etc. Indeed, as we have seen, the designers who choose Mayayo used it in funny different ways.

Despatxada

Despatxada

Despatxada letters are the scans of the alphabet of a manual rubber press. Letter by letter. Real prints. Real textures. You will not find another typeface like this. An heroic font in the digital ...

Hannover Modern

Hannover Modern

Hannover Modern belongs to a series of typefaces used at the Estudio Mariscal in Barcelona. José Manuel Urós developed this weight, a vigorous egyptian-style, the embodiment of the Javier Mariscal ...

Adelita

Adelita

Adelita by Adela de Bara, Laura Meseguer / OpenType, 4 styles   Adelita has its origins from Adela de Bara’s hand drawings, a display typeface with balls at the end of the strokes. Helped by Laura ...

Iva

Iva

Ivà by Joan Barjau / OpenType, 2 styles.   Ivà, a very personal script based on the handwriting of the cartoonist called Ramón Tosas "Ivà, digitised by Joan Barjau in two plain weights. These fonts ...

Matricia

Matricia

Matricia by Pera Ribalta, José Manuel Urós / OpenType, 3 styles Nostalgically, the three weights of Matricia try not to recreate the modern pixel fonts but the noisy needle printers. The Uno and ...

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