Arbotek
Arbotek has the original skeleton that the author used for the development of his typeface Arboria, a real 'architect typography', with a basic and radical approach to pure geometric forms. The three ...
Arbotek has the original skeleton that the author used for the development of his typeface Arboria, a real 'architect typography', with a basic and radical approach to pure geometric forms. The three ...
Lalola (whose early version was released as ‘Lola’ by the spanish foundry Type-Ø-Tones in 1997) is a display typeface with strong attitude. It was inspired by a lettering model by Eugen Nerdinger and ...
Karol Sans is the perfect companion for Karol, without being a literal translation of it. It has its own personality and offers a wider range of six weights and their italics which gives it added ...
Tschicholina is inspired by a project by Jan Tschichold dating back to 1929. It is a unicase "universal" font which has always been considered to have very little future; this is why we have it in ...
We usually describe Mayayo as no good for condolence letters, nor for carving inscriptions, etc. Indeed, as we have seen, the designers who choose Mayayo used it in funny different ways.
Despatxada letters are the scans of the alphabet of a manual rubber press. Letter by letter. Real prints. Real textures. You will not find another typeface like this. An heroic font in the digital ...
Hannover Modern belongs to a series of typefaces used at the Estudio Mariscal in Barcelona. José Manuel Urós developed this weight, a vigorous egyptian-style, the embodiment of the Javier Mariscal ...
Adelita by Adela de Bara, Laura Meseguer / OpenType, 4 styles Adelita has its origins from Adela de Bara’s hand drawings, a display typeface with balls at the end of the strokes. Helped by Laura ...
Ivà by Joan Barjau / OpenType, 2 styles. Ivà, a very personal script based on the handwriting of the cartoonist called Ramón Tosas "Ivà, digitised by Joan Barjau in two plain weights. These fonts ...
Matricia by Pera Ribalta, José Manuel Urós / OpenType, 3 styles Nostalgically, the three weights of Matricia try not to recreate the modern pixel fonts but the noisy needle printers. The Uno and ...