Bodoni Classic Stencil

Bodoni Classic Stencil

Bodoni Classic Stencil is another of my personal additions to the Bodoni Classic Family that Giambattista would have never made. In his days people had enough skill and the neccessary time to put ...

Ayres Royal

Ayres Royal

I designed Ayres Royal to honour London’s famous calligrapher John Ayres (about 1700). He designed calligraphy examples called The Accomplished Clerk, that were meant to be for the office clerk. I ...

Take Five

Take Five

Take Five is a very jazzy typeface. It is more Swing than Bebop but it also evokes memories of the Cool Jazz era. Take Five can be used for jazzy covers or children's birthdays as well as jumble ...

Konstantin Forte

Konstantin Forte

My son Konstantin needs a bold face for his bold recipes. So I made Konstantin Forte for him — and the rest of the world. Your bold family designer, Gert Wiescher.

Cacao

Cacao

Cacao is another one of my "found fonts". I found this one in an old advertising for a French cocoa drink. Since I am a vervent lover of cocoa, I will give you my recipe for a normal coffee mug full ...

Julienne

Julienne

Cooks call thinly cut - like matchsticks - vegetables "Julienne". I found that was a fitting name for this very narrow typeface. Julienne Slim is the extreme cut of the two. Personally I do not use ...

Red Tape

Red Tape

Red Tape is three fonts that were designed by sticking letters together with red tape. It makes for a wonderful makeshift set of fonts. And I really enjoyed sticking those letters together. Of course ...

Slim Kim

Slim Kim

Slim Kim is the sister font of Julienne. It mixes perfectly with Julienn. So whenever you need an especially slim serif font this is it! Slim Kim has very spiky serifs, so I did not want to make an ...

Scriptage

Scriptage

Scriptage is a very weathered classic English Script, also known under the name of Artists Script. From your weathered typedesigner, Gert Wiescher.

Nadine

Nadine

Nadine is a very elegant Script. I based the design on a set of initials that Bernard Naudin designed around 1920 for Deberny & Peignot. I gave the font a name “Nadine” because that sounds similar to ...

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