Why Square
The different fonts in the Why Square family are an extension of the designs begun in Zoran Kostic's Just Square family. Why Square's lowercase letters are all more condensed versions of Just ...
The different fonts in the Why Square family are an extension of the designs begun in Zoran Kostic's Just Square family. Why Square's lowercase letters are all more condensed versions of Just ...
Making a Christmas card takes a lot of work! Finding the right typeface can be tough, too. Have you ever spent hours searching for the right one? Well, in 2003, instead of spending hours searching, ...
The 14 symbol and arrow fonts in Vialog Signs were designed to accompany Vialog, a specially developed font family for the transportation industry and information systems typography. These functional ...
Vialog is a large and versatile sans serif family consisting of four weights of roman with corresponding italics, each with small caps and Old style Figures. Designers Werner Schneider and Helmut ...
Veronika is a semi-serif text face, available in three styles: Regular, Italic, and Bold. All three faces are available in OpenType format, with both lining and old-style figures. Grüger, a German ...
The shapes of the f-holes on a violin reminded German designer André Maaßen of an italic letter "f". Maaßen used these captivating contours as the theme for his type family, Varius. The name "Varius" ...
The symbol family Tips, (which stands for “Type-Image-Piktogramm-Schrift” in German, or type-image-pictogram-font in English) contains six different fonts of pictograms and stylized icons. Tips ...
Mark Stanczyk designed Linotype Typo American in 1999. The font is an excellent revival of American style typewriter type. As most of us can remember from our childhood years, or through old stories ...
Aptifer Sans and Aptifer Slab are two 21st century typeface families created by Mårten Thavenius. Each family has seven weights, in roman and italic respectively, making 28 font styles in total. A ...
OCR-A was originally designed in 1968 as a machine-readable alphabet. Its functionality was its most important element, instead of its design. Over the following decades, the typeface has become ...