Oita
Oita might be a carefully crafted typeface family, created by a meat-bag human. Or, it might have been made by a supremely clever sentient robot. Found in the dark recesses of a top secret spy ...
Latest Posts
Tourist
MacKeller, Smiths and Jordan had a font called Giraffe Wide which we liked, but like many Victorian display fonts it had no lowercase. We fixed that!
Cabrito Sans
It's time to kick off your shoes and feel the "sans" between your toes. Like Cabrito Inverto, its stress-reversing cousin, the new Cabrito Sans serves up something nice and cool in the heat of the ...
Seminary
This began life as a European font that was copied in the United States by Bruce's Type Foundry in 1885. It was caps only and had a fine line "three-D" shadow. We scrapped the shadow, added a lower ...
Celari Titling
Need for speed? Satisfy it with insigne’s Celari. Take it for a drive and watch how its simple curves, easy lines, and sturdy shapes handle the edges and corners of your projects with smooth and ...
Riviera
This is derived from the Marder, Luce foundry's face called Rivet. A nip and a tuck here and there plus the addition of a lowercase make this into a potentially useful font.
Ainslie Sans
Say g'day to Ainslie Sans, insigne Design’s new typeface. Like its big brother, the new face incorporates a mix of influences from Oz, although Sans is pared down from the original semi-serif. The ...
Moritz
Loosely based on an early 20th century type from the Brussels foundry of Van Loey-Nouri. Many European foundries had fonts of this general design. Schelter & Gieseke of Germany had several.
Plathorn
Vast and untamed, the American West once stretched as free and wild as imagination itself. Still beautiful, the Wild West of long ago and the new West of today is now to be found in insigne’s new ...
Illyrian
Our font of the original was only ten point, so we had to use our imagination to a great extent. As specialists in Victorian typography, we have found that many people do not like the "center ...