Bellagio NF
This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design ...
This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design ...
This is a condensed version of an old classic, Thorne Shaded. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).
Woodtype wizard Rob Roy Kelly identified the inspiration for this typeface in his 100 Wood Type Alphabets simply as "No. 154". Funky, chunky, round and robust, it’s clearly a barrel of fun. Named ...
This typeface is an amalgam of two cut-paper typefaces, as presented by Margaret Shepherd in her book, Calligraphic Alphabets Made Easy. Also included are a glue bottle at the bar position, and ...
This font features a complete uppercase alphabet, including accented characters, as well as numbers and standard punctation. Lowercase characters are an assortment of useful dings and things. To ...
Here's another mosaic marvel from the New York subway system, to complement Midtown Tessie. This style is based on signage at the 34th Street station, with connections to Brooklyn. A full tile ...
Tucked inside the November 5, 1927 issue of a German signpainters' trade paper was a single sheet headed Der Schilder und Schriftenmaler, which featured an alphabet called "Neue Fraktur". An ...
Something about the swoopy loops in the uppercase characters of this typeface, originally called "Ronde", reminds one of the signature 'do of a certain real-estate-mogul-turned-TV-celebrity, and so ...
An old Art Nouveau typeface named "Daphne" provided the inspiration for this decidely different font. This version is upright, but the linocut treatment employed visually suggests the slight ...
The letterforms are based on Inserat Cursive, a bold script popular in the late nineteenth century; the treatment was suggested by cover artwork for Graphic Styles from Victorian to Post-Modern, ...