Klint
Type designer Hannes von Döhren created Klint. A sans serif typeface with a technical appearance and humanistic streak. The family includes five weights; each weight ships in three widths: condensed, ...
Latest Posts
Trade Gothic Next Soft Rounded
In 1948, Mergenthaler Linotype released the first weights of Trade Gothic, designed by Jackson Burke. Over the next 12 years, Burke, who was the company’s Director of Typographic Development from ...
Neue Frutiger
The original Frutiger typeface was designed in the early 1970s by Adrian Frutiger and his studio for the way finding system of the Roissy Charles de Gaulle airport in Paris. Soon after the airport ...
Aeonis Pro
After Generis™, Aeonis™ is the second large family of typefaces by Erik Faulhaber. The basic Aeonis sans-serif form references Ancient Greek lapidary inscriptions from the 9th century BC. Between the ...
Sabon Next
The design of Sabon® Next by Jean François Porchez, a revival of a revival, was a double challenge: to try to discern Jan Tschichold´s own schema for the original Sabon, and to interpret the ...
Luba
Luba is a multi-script text family designed by Hendrik Moeller. The family includes four weights: Light, Regular, Medium, and Bold. Each of these fonts may be purchased with both Latin and Cyrillic ...
DIN Next
DIN has always been the typeface you root for—the one you wanted to use but just couldn’t bring yourself to because it was limited in its range of weights and widths, rendering it less useful than it ...
Opal
Opal Pro is a text family designed by Hannes von Döhren in 2008. It gives every text a noble character. The typeface has long ascenders that clearly rise above the capital letters and a low x-height. ...
Neue Haas Grotesk
The first weights of Neue Haas Grotesk were designed in 1957-1958 by Max Miedinger for the Haas’sche Schriftgiesserei in Switzerland, with art direction by the company’s principal, Eduard Hoffmann. ...
Stevens Titling
Stevens Titling refers to the classic Roman alphabet as it appears on the Trajan column and numerous other monuments. With its realistic brush strokes, it shows the letterforms as they might have ...