P22 Klauss Kursiv
P22 Klauss Kursiv is the first ever digital revival and expansion of the last face Karl Klauß designed for the Genzsch & Heyse foundry in Stuttgart before he died in 1956. Karl Klauß’s classical ...
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P22 Kingsclere
The Kingsclere font was desigend by Ted Staunton after finding inspiration in the town of Remedios, Cuba on a 17th century Spanish tombstone inscription. These historic letterforms lend themselves to ...
P22 Barabajagal
P22 Barabajagal is a unique take on the display fat face by way of doodling fun. Somewhat informed by the shapes of an early 1970s film type called Kap Antiqua Bold, this font’s aesthetic is the ...
P22 Pouty Pro
Newly remastered, this elegant font features over 770 characters. P22 Pouty Pro is a light contemporary italic, including a large set of ligatures and alternate characters, offering plenty of options ...
P22 Ringwell
Ringwell is pure Victoriana in two styles, plain and decorative, that can be mixed and matched. The Pro version combines the two styles using stylistic alternate features.
P22 Regina
Regina is a calligraphic-influenced hybrid light-face Tuscan-serif roman with a companion swash italic.
P22 Ainabee
Ainabee is an Art Deco inspired type design. The designer states: "The Art deco period has always fascinated me. The Architecture, The Furniture, The Car Industry, Letters etc, much of what I ...
P22 Ridley
Ridley is a calligraphic-influenced, decorative, medieval font combining Roman and Gothic forms. It is named for Nicholas Ridley and similar in style to Staunton’s Latimer font. Ridley and Latimer ...
P22 FleurCross
FleurCross is a set of 76 stylized crosses designed by calligrapher Michael Clark. This diverse range of cruciform ornaments features many variations on the theme of the cross.
P22 Posies
P22 Posies is a six-font system for creating multi-colored initial caps in the spirit of illuminated manuscripts. Four layer fonts can be built upon each other to create any chromatic effect you ...