Warp Three NF
This face is a bit of a time traveler. It combines the lowercase from a font called simply Square Gothic from the 1888 James Conner’s Sons specimen book with the uppercase of Morris Fuller Benton’s ...
This face is a bit of a time traveler. It combines the lowercase from a font called simply Square Gothic from the 1888 James Conner’s Sons specimen book with the uppercase of Morris Fuller Benton’s ...
Here’s a different take on my face Jungle Fever, patterned after Neuland Black, originally designed by Rudolph Koch for Gebr. Klingspor in 1923. A “sunrise” shading pattern has been employed to add ...
The family tree of this friendly face runs deep. Its primary inspiration is Twentieth Century, designed by Saul Hess as a monoline version of Paul Renner’s Futura. The design was reinterpreted by ...
This fresh face takes a number of design cues from Tomás Vellvé Mengual's eponymous design for Barcelona's Neufville Type Foundry in 1971. This version softens many of the lines of the original, and ...
This yeomanlike typeface features the letterforms of the venerable Underwood Victoria typewriter on steroids. The original monospacing has been generally preserved, but the letters have been ...
This Art Deco-inspired face is based on the Baltimore Type Foundry’s Tourist Extra Condensed. Graceful and elegant, this typeface’s compact design also packs a lot of information into very little ...
Here’s a techno typeface with a difference. Its monoline stroke and sharp terminals are softened by rounded corners, and its perceptual monospaced widths have been subtly altered and strategically ...
A supplement to Major Production NF, which includes an assortment of symbols and logos for video, web and mobile applications, including the Blu-ray logo with its region designators. Please remember ...
This svelte type family, whose name translates as "Blonde Goddess", is ideal for creating loquacious headlines in tight spaces, as well as dense informational blocks such as movie credits. Available ...
Here’s another offering from the Baltimore Type Foundry, originally called Airport Tourist, which was obviously influenced by Paul Renner’s Futura Display, designed in 1932 for Bauersche Gießerei. ...