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Orion

Orion

Hermann Zapf made his first sketches for Orion in 1963. Zapf’s aim was to create a neutral text face that could be ideally used as a newspaper face. Its stroke thickness and open letterforms also fit ...

Optima Nova

Optima Nova

With the clear, simple elegance of its sans serif forms and the warmly human touches of its tapering stems, the Optima family has proved popular around the world. In 2002, when it was finally ...

Noris Script

Noris Script

Drawn by master German calligrapher Hermann Zapf in the 1970s, Noris Script captures the magic of the irregularities of pen strokes. The idea behind Noris Script was to bring the spontaneity of a ...

Colombine

Colombine

Colombine is based on the handwriting of Gudrun Zapf von Hesse. The dynamic forms of Gudrun Zapf von Hesse's Colombine express the dance, the lightheartedness and the liveliness of Commedia ...

Alcuin

Alcuin

Alcuin is a trademark of Heidelberger Druckmaschinen AG, which may be registered in certain jurisdictions, exclusively licensed through Linotype Library GmbH, a wholly owned subsidiary of ...

Frutiger Next

Frutiger Next

Frutiger Next is Adrian Frutiger’s and Linotype’s completely new interpretation of the well known typeface, Frutiger. The goal was to create a complete system of weights, and priority was placed on ...

Astrotype

Astrotype

Astrotype is an excellent choice for use in astronomical or astrological literature – books, journals, magazines, etc. It can be used effectively both within the text and in accompanying graphics. ...

Anlinear

Anlinear

Anlinear is part of a series of constructed typographic experiments from the young Swiss designer Michael Parson. In the Anlinear family, which contains three separate weights, Parson has ...

Anasdair

Anasdair

Anasdair is a semi-serif text face that maintains its calligraphic origins. Its wide uppercase characters display an even, mono-spaced appearance. The design of the lowercase letters couples this ...

Amherst

Amherst

Amherst is a family of blackletter-inspired typefaces. This family, created by British designer Richard Yeend in 2002, is unique in that it mains the feel of blackletter/medieval type without relying ...

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