Sunetta
An inkstone, a brush, ink, and paper. In China, one speaks of “wenfang sibao” — the four treasures of the scholar’s study. With these centuries-old hand tools, Werner Schneider created a calligraphic ...
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Stilla
François Boltana was a French prolific lettering artist during the late 20th Century. He created the Stilla typeface in 1973. Stilla is a cursive “Fat Face”-style design, reminiscent of the first ...
Xmas
Christmas cookies have already slowly crept onto your local supermarket's shelves -- the Linotype Xmas Fonts just can't wait any longer! Ravishingly friendly and universally applicable: Fuenfwerken ...
Firas
Firas, designed by Abbas Al-Baghdadi in 2005, is a traditional Kufi and a winner in Linotype’s first Arabic Typeface Design Competition. The design is very geometric and bold with very high level of ...
Palatino Sans Informal
Palatino Sans Informal was designed as part of a group of three font families: Palatino nova, Palatino Sans, and Palatino Sans Informal. Together these three families act as the fulfilment of Herman ...
Bernhardt Standard
Bernhardt Standard, which was designed in 2003 by Julius de Goede, is a flowing Bastarde script. Bastarde is one of the sub-categories of Blackletter typefaces. The term Blackletter refers to ...
Palatino Sans
Palatino Sans was designed as part of a group of three font families: Palatino nova, Palatino Sans, and Palatino Sans Informal. Together these three families act as the fulfilment of Herman Zapf’s ...
Frusta
Frusta is an earnest family of slab-serifs softened by tapered serifs and slightly squared curves that give it a warmth often absent in other slabs. Monoline and with a geometric foundation, this ...
Aeron
Aeron started with a no-nonsense geometric sans-serif structure that grew into a functional semi-serif family of fonts. Half-rounded slabs mix with curvy and squared-off terminals for a personable ...
Level
Level is a spurless sans serif family that takes a more calligraphic approach to the popular square sans. The subtle swelling and shrinking in the strokes of the curves and terminals contrast with ...