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Schweimann Moderne NF

Schweimann Moderne NF

Here's a typeface from the Art Nouveau era that is equally at home in the world of contemporary science fiction, which is quite an achievement. Both versions of this font support the Latin 1262, ...

Rythme NF

Rythme NF

Originally released as Éclair by the French foundry Deberny, Peignot & Cie., this face is pure Art Deco in motion. Both versions of this font support the Latin 1262, Central European 1250, ...

Renaissant NF

Renaissant NF

A classic late nineteenth-century face from the Dickinson Type Foundry of Boston. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Receding Hairline NF

Receding Hairline NF

Based on L&C Hairline, this family of faces is weighted to achieve stroke consistency in a variety of sizes. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and ...

Franklin Phidian NF

Franklin Phidian NF

Franklin Type Foundry's 1897 specimen book offered the patter for this face. Numerals maching the lowercase are standard but, if you want numbers to match the uppercase letters, activate Stylistic ...

Droobie NF

Droobie NF

An offering from the 1910 specimen book from Inland Type Foundry, originally called Drew, provided the pattern for this engaging little face. Both versions support the Latin 1252, Central European ...

Cinnci Card Ornaments NF

Cinnci Card Ornaments NF

A collection of design elements used in logotypes and calling cards from the Victorian era. A PDF file included in the package shows how to construct the various elements

Chockabloc NF

Chockabloc NF

What else is there to say? Children's wooden blocks inspired this playful face. Use and enjoy! Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Bruce Belgina NF

Bruce Belgina NF

Patented in 1867, this face adds peaks and shadows to the Egyptian form so popular at the time.

Camelopard NF

Camelopard NF

A wooden face, rather prosaically named Gothic Bold, from Hamilton's 1889 specimen book provided the pattern for this bold and brassy face. Both versions support the Latin 1252, Central European ...

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