Etelka Slab
Etelka Slab is a slab-serif variation of Stormtype's Etelka. In the process of adding serifs are applied some arched elements to emphasize its unique character. The usual range of OpenType functions ...
Etelka Slab is a slab-serif variation of Stormtype's Etelka. In the process of adding serifs are applied some arched elements to emphasize its unique character. The usual range of OpenType functions ...
The goal of Beletria is to be a contemporary looking book typeface for fast reading (frankly, I was already bored of using of good old Baskerville for the volumes I illustrated recently). I needed an ...
Beletrio was made as companion to Beletria, it has many shapes in common. We already have plenty of sans-serif fonts with classical proportions in the Stormtype library, such as John Sans, Sebastian ...
Words in a blurry world want to be more firmly anchored in the line - this is the task of the Slab-serif, characterized by solid heels. They can be used in extreme sizes – under 6 points – as well as ...
Coronet is a non-joining script font first issued by Ludlow. The capitals have been drawn with a degree of freedom whereas the lowercase are more formal in structure. The ascending lowercase letters ...
Carot Sans is designed on the basis of three elements - square, circle and triangle. Simple and fresh typeface for visual identities, book covers, magazines and advertisement.The whole Carot system ...
Designed to Swiss principles by Alessandro Butti and Aldo Novarese for Nebiolo in 1952 as an improvement on the squared-off Bank Gothic capitals. The design was revisited by the same designers ten ...
Carot Text fonts are especially tuned for reading sizes: their serifs have adequate strength and do not cause fatigue when reading long. Originality lies in the tradition revived by modern language. ...
Carot Display is made for book covers and posters, but will also shine in advertising and visual identity. The whole Carot system is built up from what has long been around; in any case, it was the ...
Academica Sans was drawn with the aim of following the artistic features of Josef Týfa's fonts. It has the same proportions as the famous Academica, so both fonts can be successfully combined. It is ...