Goodchild Pro
Goodchild Pro is a pragmatic text face, equipped for sophisticated academic typography. The face has a large x-height, as there is little point in adding to the stock of rangy “book” Jensons. Despite ...
Goodchild Pro is a pragmatic text face, equipped for sophisticated academic typography. The face has a large x-height, as there is little point in adding to the stock of rangy “book” Jensons. Despite ...
Designer: Carl Dair Revived by: Nick Shinn A restoration of the first Canadian-designed typeface, which was completed by Carl Dair in 1967 and named after 16th century explorer Jacques Cartier, who ...
Phiz is a diverse suite of 28 decorative fonts based on Figgins Sans Extra Bold. Classic (10 fonts), Rounded (7 fonts), Rough (4 fonts) and Particles (7 fonts). The Rough and Particles styles emerge ...
The concept is “Geo-Soft”: characters are constructed from arcs of circle connected by orthogonal straight lines, with few diagonals and nary a sharp corner. The effect has an engaging tension, as ...
What intrigued me about Buslingthorpe was the virtuoso challenge it presented, of designing a typeface that would, despite a ridiculously tiny x-height, still possess a coherent harmony betwen upper ...
Franklin Gothic EF is a font family from the Elsner+Flake Library. It had its debut in 2000. In 2016 it was renovated and an additional weight "Italic“ was added.
As an ironic gloss on the unsophisticated “typewriter” genre, the Bodoni Egyptian Mono typeface channels the classic dignity of early 19th century letter forms, presenting a quite proper family of ...
The Kaffeesatz EF typeface was designed in 1993 by Ralf Borowiak in three weights: “Schwarz”, “Weiß” and „Süß“ (“Black“, “White” and “Sweet”). Since it is experiencing ever increasing popularity, the ...
Petras Script, the first digital script font created by the calligrapher Petra Beiße, has, for many years, met with worldwide success. Now the font is complemented with an alternate character set, ...
Americana was designed by typeface artist Richard Isbell in 1965. The generous forms of this typeface contain large inner spaces. Lines of text look light and airy and require generous line spacing. ...