Darmhagh Underwood
Darmhagh Underwood is a “rough” monowidth font based on the face used on the old Underwood manual typewriter. Darmhagh Underwood was first digitized in 1999 by Michael Everson and originally used the ...
Darmhagh Underwood is a “rough” monowidth font based on the face used on the old Underwood manual typewriter. Darmhagh Underwood was first digitized in 1999 by Michael Everson and originally used the ...
Corcaigh is based on the logo of Conradh na Gaeilge, the Gaelic League. Corcaigh was first digitized in 1997 by Michael Everson and originally used the MacGaelic character set on the Macintosh ...
Ceanannas is based, somewhat loosely, on the uncial script of the Book of Kells. Ceanannas was first digitized in 1993 by Michael Everson and originally used the MacGaelic character set on the ...
Teamhair is a monowidth font based on the face used on the old Sears Tower Gaelic manual typewriter. Teamhair was first digitized in 1993 by Michael Everson and originally used the MacGaelic ...
Duibhlinn is based on the classic standard Gaelic typeface of the 1930s. One version of this was the Monotype Series 24 A font, ca. 1906-1922; this was recast by Michael O'Rahilly in 1913. Duibhlinn ...
Loch Garman is based on Baoithín, designed by Viktor Hammer and Colm Ó Lochlainn; Baoithín was based on Hammerschrift, which was related to Hammerschrift American Uncial -- though Loch Garman is more ...
Timenhor is a Latin-script font whose glyphs are based on the uncial letterforms of Coptic manuscripts. Timenhor is compliant with Unicode encoding and has an extended character set, supporting ...
In 1997 the first designs of Allatuq were made while Michael Everson was doing some work with the Baffin Divisional Board of Education in what is now Nunavut (but was still Northwest Territories ...
Dumha Goirt is based on the Watts font used in the early 19th century. Dumha Goirt was first digitized in 1997 by Michael Everson and originally used the MacGaelic character set on the Macintosh ...
This type face fills one of the gaps between the world of Roman alphabets and that of linear alphabets. The first to be designed was the set of upper-case letters. The expression of these characters ...