Academy
A classic example of a narrow 19th century 'egyptian' style font. Excellent for old-fashioned posters where space is limited.
A classic example of a narrow 19th century 'egyptian' style font. Excellent for old-fashioned posters where space is limited.
Developed for ParaType (ParaGraph) in 1995 by Alexander Tarbeev, based on letterforms of various screen fonts. For use in advertising and display typography.
Express® is based on the lettershapes of Express typeface designed for Ludwig & Mayer in 1957 by Walter Hoehnisch. A tall, bold script with even inclination. Cyrillic version developed in 2001 by ...
Designed for ParaType in 1995 by Tagir Safayev. Based on informal handwriting. For use in advertising and display typography.
The letterforms of this face represent a "subtraction" of two different faces by weight, style, and shape -- one from another. The shapes of TM Miniature Italic are subtracted from FreeSet Bold with ...
The typeface was designed for ParaType in 1999 by Oleg Karpinsky basing on his Dublon typeface (1994). A decorative face in Op-Art style with slab serifs. For use in advertising and display ...
Developed for ParaType (ParaGraph) in 1997 by Alexander Tarbeev, based on PT Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.
Designed at ParaType (ParaGraph) in 1992 by Vladimir Yefimov. Based on letterforms of Firmin Didot, a French typographer from the 18th century, ITC Didi, of 1970, by Herb Lubalin and Tom Carnase, and ...
Developed at ParaType in 1995 by Alexander Tarbeev, based on Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.
Designed for ParaType (ParaGraph) in 1989 by Elvira Slysh. Based on Slogan of Ludwig & Mayer type foundry, 1959, by Helmut Matheis. An informal flowing script simulating pointed brush calligraphy. A ...