Caslon #3
The Englishman William Caslon (1672–1766) first cut his typeface Caslon in 1725. His major influences were the Dutch designers Christoffel van Dijcks and Dirck Voskens. The Caslon font was long known ...
The Englishman William Caslon (1672–1766) first cut his typeface Caslon in 1725. His major influences were the Dutch designers Christoffel van Dijcks and Dirck Voskens. The Caslon font was long known ...
Linotype Pisa is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. It was designed by Swedish artist Lutz Baar ...
An extremely versatile, intelligently restrained design by Robin Nicholas for Monotype in 1980. It works very well at small sizes thanks to its large x-height, sturdy serifs, and lack of ornament; ...
Whether you call them slab serif, square serif, or Egyptian, you know them when you see them – sturdy, nearly monoweight designs with blunt, straight-edged serifs and a no-nonsense attitude. The ...
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An original Freehand script designed for Mergenthaler in 1965 by Matthew Carter.
Eric Gill’s personal version of the Lapidary letterform.
Linotext was designed by Morris Fuller Benton in 1901 and first appeared with the name Wedding Text with American Type Founders in Jersey City, where its metal forms were cut by hand. The font was so ...
Rudolf Koch’s personal form of the geometric sanserif started at the Bauhaus in 1926; this typeface was designed for Klingspor in the following year.
An all-caps titling font designed by the Monotype Drawing Office in 1934, based on an alphabet designed by Veronese calligrapher Felice Feliciano in 1463.