Mercantile Display NF
This older, somewhat funkier relative of the classic face, Engravers Roman, made its last appearance in the 1912 ATF Specimen Book. Here, it has been revived to do yeoman-like duty in a new century. ...
This older, somewhat funkier relative of the classic face, Engravers Roman, made its last appearance in the 1912 ATF Specimen Book. Here, it has been revived to do yeoman-like duty in a new century. ...
Based on a disco-era typeface named—perhaps not surprisingly—Disco, this offering has strong geometric elements which blend together nicely to form tight, commanding healines. This font ...
This classically elegant typeface is based on a 1912 design by Johann Vincenz Cissarz for the Ludwig & Mayer Foundry. To add a little more visual interest, alternate letterforms can be found in ...
This distinctive poster face is based on the work of Dard Hunter, one of the pioneers of typographic design within the Arts & Crafts movement. Use it to create distinctive headlines, or to add ...
Here’s a revised and updated version of one of my oldies, based on the typeface Chic, designed by Morris Fuller Benton. The addition of small caps, improved kerning, and an expanded character set ...
The Neubank family builds on the firm foundation of Bank Gothic, a twentieth-century classic designed by Morris Fuller Benton for ATF, and adds a fluid, dynamic lowercase that makes it right at home ...
The Chromium Yellow family is based, very loosely, on Electro-type Serif, designed by John Wu of Hong Kong’s Archetype foundry. The rather quirky serifs have been removed and a few odd letter ...
This face is a bit of a time traveler. It combines the lowercase from a font called simply Square Gothic from the 1888 James Conner’s Sons specimen book with the uppercase of Morris Fuller Benton’s ...
Here’s a different take on my face Jungle Fever, patterned after Neuland Black, originally designed by Rudolph Koch for Gebr. Klingspor in 1923. A “sunrise” shading pattern has been employed to add ...
The family tree of this friendly face runs deep. Its primary inspiration is Twentieth Century, designed by Saul Hess as a monoline version of Paul Renner’s Futura. The design was reinterpreted by ...