Trochilida NF
This Albert Auspurg offering from 1915 for the German foundry Schelter & Giesecke was originally called Kolibri, or Hummingbird. The design combines formal elegance with a carefree, wide stance, ...
This Albert Auspurg offering from 1915 for the German foundry Schelter & Giesecke was originally called Kolibri, or Hummingbird. The design combines formal elegance with a carefree, wide stance, ...
Here's a workmanlike interpretation of John Pistilli's eponymous extreme Didone, originally designed for VGC in the 1970s. The typeface's strong contrasts and graceful nuances guarantee that your ...
Here's another gem from Samuel Welo's perennial classic, The Studio Handbook, originally called Goddard Classic. Welo's inimitable penwork manages to be both worldly and whimsical, and remains as ...
Here’s a futuristic face with a neo-retro twist, based on the logotype for the 1990s tank-warfare videogame for the Mac, Spectre. Whether you're going back to the future or resurrecting a blast from ...
This typeface made its first appearance in Schelter & Giesecke's 1915 specimen book. It exhibits the cleanness and crispness one might expect in a sans-serif face, along with a few unexpected grace ...
This stately typeface takes its inspiration from Erbar Medieval, designed by Jakob Erbar for the Ludwig & Mayer foundry of Frankfurt am Main, released in 1914. Equally at home in headlines or text ...
A typeface from the 1873 Miller & Richard of Glasgow specimen book of 1873 named Cuban provided the inspiration for this festive face. Its graceful curves and open stance gently whisper nostalgia, ...
The inspiration for this typeface—originally called Elefanta—enjoyed popularity stateside in the late nineteenth century, an import from the Karl Brendler & Söhne foundry of Vienna. Its graceful yet ...
Here's a faithful rendering of a typeface originally named Octic, from the 1884 specimen book of the Palmer & Rey Type Foundry of San Francisco. Its geometric severity is softened by the gently ...
Theater posters of the 1930s were often exuberant exercises in Art Deco lettering sensibilities, and the handiwork which inspired this typeface is no different. Big, bold and oddly elegant, this face ...