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Loch Garman

Loch Garman

Loch Garman is based on Baoithín, designed by Viktor Hammer and Colm Ó Lochlainn; Baoithín was based on Hammerschrift, which was related to Hammerschrift American Uncial -- though Loch Garman is more ...

Timenhor

Timenhor

Timenhor is a Latin-script font whose glyphs are based on the uncial letterforms of Coptic manuscripts. Timenhor is compliant with Unicode encoding and has an extended character set, supporting ...

Allatuq

Allatuq

In 1997 the first designs of Allatuq were made while Michael Everson was doing some work with the Baffin Divisional Board of Education in what is now Nunavut (but was still Northwest Territories ...

Dumha Goirt

Dumha Goirt

Dumha Goirt is based on the Watts font used in the early 19th century. Dumha Goirt was first digitized in 1997 by Michael Everson and originally used the MacGaelic character set on the Macintosh ...

Solpera

Solpera

This type face fills one of the gaps between the world of Roman alphabets and that of linear alphabets. The first to be designed was the set of upper-case letters. The expression of these characters ...

Serapion

Serapion

Another variation on the Renaissance-Baroque Roman face, it extends the selection of text type faces. In comparison with Jannon, the contrast within the letters has been enhanced. The dynamic ...

Patzcuaro

Patzcuaro

Patzcuaro is a summer resort by a lake of the same name. It is situated 370 km west of Ciudad de Mexico and a visitor from Europe, on seeing it, will be reminded of the Austrian Rust or the South ...

Negro

Negro

Dark, spicy & distinctive display typefaces from the nineteenth century I had in mind when creating this font family. Extreme contrasts and sharp endings may remotely remind some blackletters, ...

Ideal Gothic

Ideal Gothic

At the turn of the 20th century monolinear alphabets were often despised for their dullness. Typographers, therefore, took great pains to breathe some kind of individuality into the monotonous ...

Genre

Genre

The official terseness and grey of Neo-Classical type faces will stand out when we narrow them. The consistently vertical shading of the letters suppresses one's desire for eccentricity, just like ...

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