Missale Incana
Missale Incana is a redesigned, new interpretation of a typeface from Herbert Thannhaeuser. Its a strong calligraphic roman typeface, well suited for headlines. OpenType features:
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ASTYPE Ornaments Wine Grape A
WineGrape uses the following OpenType features to set up to three different color layers: - Small Caps / changing direction - Superscript/Superior (Grapes) - Subscript/Inferior (Leafs)
ASTYPE Ornaments Christmas A2
Christmas A2 uses the following OpenType features to set up to four different color layers. - Superscript/Superior (Trees) - Subscript/Inferior (Stars) - Numerator (Candles) - Denominator (Light, ...
ASTYPE Ornaments Christmas A
Christmas A uses the following OpenType features to set up to four different color layers. - Superscript/Superior (Trees) - Subscript/Inferior (Stars) - Numerator (Candles) - Denominator (Light, ...
Simeon AS
Simeon is well suited for setting an short and medium amount of text with an historic impression. OpenType features: - over 650 glyphs - Central European faces - stylistic alternates and historical ...
Missale Lunea
Missale Lunea is a calligraphic uncial typeface with a female note. The font offers lots of stylistic alternates, signs, zodiacs & symbols. OpenType features: stylistic alternates signs, zodiac & ...
Gracia Series 50
Gracia is a classic connected script design. OpenType features: - over 700 glyphs - central European faces - connection forms & stylistic alternates - proportional, mediaeval numerals & Roman ...
Gracia Series 40
Gracia is a classic connected script design. OpenType features: - over 700 glyphs - central European faces - connection forms & stylistic alternates - proportional, mediaeval numerals & Roman ...
Gracia Solo
Gracia Solo is a sister design of Gracia. Gracia Solo has left its connection forms without losing the typical look of English scripts. OpenType features: - central European faces - stylistic ...
Adana
The roots of Adana going back to the year 1930, to the Berlin-based German graphic designer Wilhelm Berg. His typeface can be interpreted as an answer to Lucian Bernhards Schönschrift. Adana Circular ...