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Frankie

Frankie

Frankie remains a classic among classics. A pioneer of the Type-Ø-Tones catalog, this is their personal eroded Franklin Gothic.  Avoid imitations. Try Frankie, today still their best-seller. Now, in ...

Guapa

Guapa

Guapa was first born from a personal experiment: transforming a geometric sans serif 'à la Futura' into a charming postmodern deco design. It was applied in a poster specially designed for a ...

Joost

Joost

This is a relaunch version of Joost, a milestone of the Type-Ø-Tones catalogue. This revival of Joost Schmidt’s typeface now has a capital set, a new weight and some OpenType features. Not to mention ...

Cortada Dos Std

Cortada Dos Std

Cortada is the name we gave to this display font that replaces Cortada Classic. After long discussions, Laura Meseguer gave birth to this brand new form. Cortada comes now in OpenType format in order ...

Karol

Karol

Karol was designed in 2011 as a project in the MA in Advanced Typography from EINA/UAB, in Barcelona. It was born as text typeface inspired by the work of East European type designers. Two years ...

Arboria

Arboria

Arboria has been a long-term project. Starting with the commission of a custom ‘architect’ font, this typeface has been changing over the years to its current form, which is its public debut. The ...

Magasin

Magasin

Magasin is a high contrast display typeface inspired by the pointed pen calligraphy, yet with a retro-chic twist. It combines a sense of script with geometric and slightly condensed structure ...

Peter Sellers

Peter Sellers

Peter Sellers is a revival display font. We wanted to pay homage to the fifties graphic design with this stylish typeface. Use the “Base” style alone or overlap it with “Volume” and change it to ...

FrankieDos

FrankieDos

Following in the footsteps of his brother Frankie, FrankieDos entered our catalogue a few years later. FrankieDos follows the same pattern: how to imitate analogic features in a vector-based typeface.

Designal

Designal

Designal is a Félix Rufín design based on the DIN theme. The goal was to create a suitable unicase, an old dream of typographers. The icons collection —more than 400— is a result of Rufín’s obsession ...

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