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Mission Art

Mission Art

Mission Art contains 26 design elements from many of the California missions. From a dove about to alight on a mission wall, to floral accents of all kinds, to a mission cross, there's a design here ...

Greene Designs

Greene Designs

This font consists of 26 design elements derived and adapated from various architectural works of Charles and Henry Greene who created hundreds of designs for houses, furniture and decorative arts in ...

G&G

G&G

G&G is the only authorized digitized version of the original handlettering of early 20th Century architects Charles and Henry Greene. This font is both accurate and authentic -- it was adapted ...

Craftsman

Craftsman

The Craftsman font is a faithful reproduction of the logo, or Title typeface used for Gustav Stickley's "Craftsman" Magazine, the foremost journal of the American Arts & Crafts Movement during ...

Batchelder Elements

Batchelder Elements

Batchelder Elements contains 26 images from legendary Pasadena tilemaker Ernest Batchelder's design books of the 1920s. From cats to ducks to flowers -- even a bear and a couple of rabbits -- there's ...

Batchelder Ruff

Batchelder Ruff

Batchelder Ruff is a "battered" version of the typeface used for titling in the catalogs and advertising of the Batchelder Tile Company in Pasadena, California in the 1920s. The original source ...

Stuph

Stuph

Stuph Light is a collection of drawings pulled from one of the many sketch books Steve Zafarana is always doodling in. Because they are in a font, the drawings can be used in font format or opened ...

Roger

Roger

The Roger family was designed in memory of a friend of ours who passed away recently. We created a humorous design for him because he was always laughing and never failed to see the funny side of ...

Softie

Softie

This typeface was designed to be used as the page heading font for MyFonts. Originally only the letters needed to make up the required phrases were drawn. Then amazingly enough, people started asking ...

Rostra

Rostra

It was during a visit to the Roman Forum that we were inspired by a seemingly unique style of lettering on a tablet among the ruins. The Latin message was chiseled in a condensed, free-style manner, ...

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