Designal
Designal is a Félix Rufín design based on the DIN theme. The goal was to create a suitable unicase, an old dream of typographers. The icons collection —more than 400— is a result of Rufín’s obsession ...
Designal is a Félix Rufín design based on the DIN theme. The goal was to create a suitable unicase, an old dream of typographers. The icons collection —more than 400— is a result of Rufín’s obsession ...
The Brazilian illustrator, Flavio Morais, devised this amusing display alphabet to have his own font for his former website. We helped to digitalize it and encouraged him to complete it with a series ...
Surreal PostIndian by Laura Klamburg. OpenType, 2 styles According to its creator, Surreal Post Indian was inspired by the performance of an American Indian artist, but this typeface seems more ...
Scissorgirl by Julia Friese and Clare Keogh OpenType, 1 style Scsissorgirl is the crafty work of Ms. Julia Friese and Clare Keogh with the unselfish help of Josema Urós. Following Cortada path, this ...
EbuScript by José Manuel Urós. OpenType, 1 style The very first font of Type-Ø-Tones, EbuScript, comes from the pen of José Manuel Urós —nicknamed Ebú in those times. Now it is still in our catalogue ...
Joan Barjau used the pseudonym “Sniff” while working as a cartoonist for the Spanish satirical magazine “El Papus”, and Sniff is also the typeface based on the style of lettering he used for the ...
Arbotek has the original skeleton that the author used for the development of his typeface Arboria, a real 'architect typography', with a basic and radical approach to pure geometric forms. The three ...
Lalola (whose early version was released as ‘Lola’ by the spanish foundry Type-Ø-Tones in 1997) is a display typeface with strong attitude. It was inspired by a lettering model by Eugen Nerdinger and ...
Karol Sans is the perfect companion for Karol, without being a literal translation of it. It has its own personality and offers a wider range of six weights and their italics which gives it added ...
Tschicholina is inspired by a project by Jan Tschichold dating back to 1929. It is a unicase "universal" font which has always been considered to have very little future; this is why we have it in ...