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Bannertype

Bannertype is – at least for my feeling – the most German of all fonts. It was used heavily mostly in newsprint and advertising in the early 1900s. I designed a dirty version of the narrow font in 4 ...

Frank Woods

"Frank Woods" is a wooden typeface based on the form of Franklin Gothic Heavy. The three cuts fit together and enable the user to create a lot of impressive variations. Enjoy! The amount of points in ...

legible

Franklin Gothic Raw

When drawing a new font, there is a time when the final form is found – almost – but the curves are not slick and clean yet, that's what I call the "raw" form. Raw – no sweeteners added! In this ...

decorative

Dreamline

Dreamline is a set of elegant monoline scripts in three variations that can be mixed with each other.

script

Vividangelo

Vividangelo is designed after the handwriting of a real person. I saw it on the pricetags in a small shop and convinced the person to have her handwriting converted into a font. She is very happy ...

legible

Supra

»Supra« – designed by Gert Wiescher in 2012/13 – is a new sans typeface family of eight weights with matching italics. Supra is influenced by current and past sans typefaces, but has a completely new ...

legible

Supra Condensed

»Supra-condensed« – designed by Gert Wiescher in 2013 – is the condensed version to this new sans typeface family of eight weights with matching italics. The condensed version is designed for ...

legible

Supra Extended

Supra Extended – designed by Gert Wiescher in 2013 – is the extended version to this new sans typeface family of eight weights. The extended version is designed for sheer elegance and has no italics ...

legible

Supra Mezzo

»Supra Mezzo« – designed by Gert Wiescher in 2012/13 – is an unusual addition to the Supra family, a weight in between the normal and the condensed width. This cut comes in very handy if you need to ...

legible

Supra Compressed

"Supra-compressed" – designed by Gert Wiescher in 2013 – is the extreme version of this family. But despite it being very slim it is still – because of its openness – a very readable font. The light ...