Artefact
Rearranging the conventional disposition of thick and thin strokes in the Modern (Didone) class of typeface.
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Alphaville
All has been said, unless words change their meanings and meanings their words.
Morphica
This critique of the utilitarian is a perverse and disjunctive mash-up of thematic devices: sans mixed with serif, stroke contrast applied to techno armature, body parts displaced and elided. We are ...
Eunoia
Eunoia is an eye-popping, high-contrast, condensed, geometric, sans serif typeface. The family is not, as is usual, built around variance in weight or skew, but alternate letterforms. Eunoia is a ...
Preface
Preface vs. Helvetica/Futura/Gill: a different strategy of text color. Whereas the established classes of sans serif typeface achieve a dynamic balance between stroke and space by combining a ...
Panoptica
New formula for an alphabet: unicase + tabular
Nicholas
Nicholas is a headline version of Goodchild, Shinntype’s version of Jenson. It has been specially modified with very fine details and an ultra-tight fit for headlines that really get noticed.
Softmachine
Everything about Softmachine—the rounded terminals, the bold weight, the letter forms and proportions—is designed with one objective: to create a uniform distance between letter strokes, in and ...
Paradigm
Originally released in 1995 as a three font family, Paradigm forcefully addressed the emaciating effect that digitization was then exerting upon traditional serifed typography. Investigating the new ...
Paradigm Pro
Originally released in 1995 as a three font family, Paradigm forcefully addressed the emaciating effect that digitization was then exerting upon traditional serifed typography. Investigating the new ...