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Chills

Chills

Is that the trees rustling, or the hinges on the gate? Pull up your covers as daylight grows dim... there is indeed a chill of fear in your heart and the blood in your veins is turning cold. Try your ...

LTC Kaatskill

LTC Kaatskill

LTC Kaatskill was made specifically for use in an edition of Rip Van Winkle for the Limited Editions Club. "I feel that Kaatskill owes nothing in its design to any existing face, and the type ...

Heldustry

Heldustry

Heldustry is a sans serif design with letterforms partway between Helvetica and Eurostile. The Heldustry font family has a large x-height and wide characters, making it ideal for situations where ...

Cheese And Crackers

Cheese And Crackers

Don't forget the Cheese! CHEESE AND CRACKERS is a delightfully light and creamy font created for lettering Wallace & Gromit in Nickelodeon Magazine.

LTC Jenson

LTC Jenson

Jenson Oldstyle was designed by J. W. Phinney of the Dickinson Type Foundry in 1893. Jenson is based on the 'Golden Type' designed by William Morris in 1890 for his private press editions under the ...

Textype

Textype

Developed from Ionic No.5, this type is the first of Chauncey Griffith’s Linotype Legibility series to be designed for general use, although it achieved (and retains) popularity as a newspaper text ...

Bavaroir

Bavaroir

Bavaroir looks like a techno party in the throne room of Neuschwanstein: grandiose, original and still high-tech, modern, stylish and chic? anything but lifeless. The design experiment was to create ...

Cheeky Monkey

Cheeky Monkey

Homespun by Homely Nina Green (nee Nina Sutcliffe), over 18 years ago for her old college pal, Mister Comicraft (ne Richard Starkings), CHEEKY MONKEY is a chirpy and cheerful character set which has ...

LTC Goudy Sans

LTC Goudy Sans

Goudy Sans Bold was originally designed by Fredric Goudy in 1922 as a less formal "gothic" and finished in 1929. The light was designed in 1930 and the Light Italic in 1931. Alternate letterforms are ...

Atlantic Serif

Atlantic Serif

The original plan for Atlantic was to design a typeface in the Venetian syle of the Renaissance, with handwriting character and large ascenders. There is a wave-rolling unevenness in both the x- and ...

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