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LTC Nicolas Cochin

LTC Nicolas Cochin

Nicolas Cochin (not to be confused with another font named simply "Cochin") was originally designed by Georges Peignot in the early 20th Century and was based on engraved letters of the 17th Century ...

Dead Mans

Dead Mans

Shiver me Timbers and Splice me Mainbrace! There's strange goings on in Smugglers' Cove... A gathering of thieves, brigands, piratefolk and back-stabbing blackguards the likes of which have not been ...

LTC Holly Leaves

LTC Holly Leaves

LTC Holly Leaves consists of three ornament fonts. Holly Leaves A is a solid color set of holly leaves borders. LTC Holly Leaves B is the same ornaments but with just the leaves and LTC Holly Leaves ...

Miller Text

Miller Text

Matthew Carter’s Miller is a seminal reinvigoration of the 19th-century Scotch Roman, serving forthright, authoritative body copy and headlines since 1997. Miller Text has always been the epitome of ...

Dave Gibbons

Dave Gibbons

How can we possibly call our line of celebrity fonts the MASTERS OF COMIC BOOK ART if it doesn't include a font based on the remarkable work of comic’s renaissance gentleman, ...

Tricky D

Tricky D

Tricky is a modern and dynamic design which is enhanced and supplemented by Tricky Tracky following soon.

LTC Christmas Ornaments

LTC Christmas Ornaments

The Lanston Christmas Ornaments collection has a definite nostalgic feel for classic Christmas and Winter iconography. An indispensable set for the Christmas season, they are perfect for custom card ...

Miller Banner

Miller Banner

Miller Banner takes Matthew Carter’s popular Miller series to new heights: 100pt and up, beyond any examples among the Scotch Roman’s historic antecedents. Optimized for very large settings, its ...

Danger Girl

Danger Girl

Ancient Evil! Nazi Spies! High Adventure! Spandex! As the sun sets and the sky fades from 100Y, 50M to 100Y, Jeff Campbell's Warm and Friendly Display Letterforms are already receding over the far ...

Parametra

Parametra

This humanistic sans serif distinguishes itself by its Japanese calligraphy influence. Being written with a felt tip rather than with a brush, its Japanese connotation is remote and non-dominant, ...

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