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LTC Tourist Gothic

LTC Tourist Gothic

Tourist Gothic is a Lanston Monotype adaptation of Modern Condensed Gothic (a design from the late 1800s.) Rounded alternate caps were designed by Sol Hess in 1928. The alternate version is offered ...

Big Moore

Big Moore

A 1766 specimen by Isaac Moore, former manager of Joseph Fry’s foundry in Bristol, England, shows many types inspired by John Baskerville’s. But a century later, standardization had foisted inept ...

Cutthroat

Cutthroat

Shiver me Timbers and Splice me Mainbrace! There's strange goings on in Smugglers' Cove... A gathering of thieves, brigands, piratefolk and back-stabbing blackguards the likes of which have not been ...

DTC Imperial

DTC Imperial

Both Hermes DTC and Imperial DTC font families are strongly influenced by Schnebel`s work on Latin characters to fit Japanese Kanjis.

Creepy Crawly

Creepy Crawly

There are worms in the earth, hairy bugs under the bed and strange bloodshot eyeballs peering at you from out of the closet. Lilou's Creepy Crawly font is perfect for scaring away Trick-or-Treaters, ...

LTC Squareface

LTC Squareface

Designed by Sol Hess in 1940 as a variation of Stymie Extrabold but with squared corners where round shapes would normally be. This striking display face is found in only some Lanston Monotype ...

Miller Display

Miller Display

Miller, designed by Matthew Carter, is a “Scotch Roman,” a class of sturdy, general purpose types of Scottish origin, widely used in the US in the last century, but neglected since & overdue for ...

LTC Ornamental Initials

LTC Ornamental Initials

Little is known of the origin of these decorative Initial Caps. Series 448 at 24 point were a different design from the 36 point on which this digital version is based. In addition to the basic 26 ...

Comicrazy

Comicrazy

Originally created for exclusive use in Image's wildly successful GEN-13 title, Comicrazy was eventually made commercially available in response to inquiries from comic book creators all around the ...

Stilson

Stilson

Since 1997, The Washington Post’s iconic headlines have been distinguished by their own sturdy, concise variation on Bodoni, designed by Matthew Carter. For the 2009 redesign, Richard Lipton, Jill ...

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