Kuenstler Script
The historical roots of this font are found in the lithographic movement of the 19th century. Like intricate handwriting put to paper with a feather and an inkwell, this font will distinguish your ...
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Digi Antiqua
DigiAntiqua was designed by the Hell Design Studio in 1968. Its basic forms were influenced by the slab serif fonts produced at the beginning of the industrial era in England around 1820. Its clear ...
Metrolite #2
In 1929 Chauncey Griffith at Mergenthaler commissioned W.A. Dwiggins to design a warmer and less mechanical Geometric Sanserif to compete with Futura. Dwiggins’ best efforts proved that human warmth ...
Kompakt
Kompakt is one of the early typefaces of type designer Hermann Zapf, whose Palatino has long been a standard in almost every area of application. Kompakt consists of a single weight and was designed ...
Snell Roundhand
Late in the seventeenth century, the English writing master, Charles Snell, decried all flourishes in the Puritan tradition and stood for a plain and efficient form of roundhand. The large x-height ...
Meridien
Undertaken in 1957 for Deberny & Peignot, Adrian Frutiger’s Meridien develops the Latin form into a classical text face of brilliant texture. Effective distribution of this exceptional face has been ...
Carolina
Carolina is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package ...
Shelley Script
Matthew Carter’s revival of the hand of the early eighteenth century English writing master, George Shelley; the face is traditional, and is made in three degrees of flourish.
Memphis
Melior
A twentieth century modern face commissioned by Stempel and designed by Hermann Zapf in 1952; it is based on his thoughts about the squared-off circle known as the super-ellipse. The type was ...