ITC Cancione
ITC Cancione is the inspired work of California calligrapher and illustrator Brenda Walton. She gave a rough texture to her tall, thin all caps alphabet and its ornaments, making them look as though ...
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ITC Blair
The ITC Blair™ typeface is a revival and reimaging of an early 20th century metal typeface of the same name. Even though only available as single weights of extended and condensed proportions, metal ...
ITC New Baskerville
ITC New Baskerville is one of many contemporary type families based on the work of John Baskerville (1706-1775), a writing master and printer from Birmingham, England, whose types were cut by the ...
Avenida
Avenida was created by architect and designer John Chippindale in 1994 and is a constructed typeface that leaves a cool, sophisticated impression. An Art Deco typeface inspired lettering found on ...
ITC Avant Garde Gothic
ITC Avant Garde Gothic was designed by Herb Lubalin and Tom Carnase and based on Lubalin’s logo for Avant Garde magazine. Ed Benguiat designed the condensed fonts for the International Typeface ...
Augustea Open
Augustea was designed by Alessandro Butti and Aldo Novarese and is one of the most popular classical, monumental letterforms featureing a stone cut effect. This font is based on the classic ...
Attitudes
Hugh Whyte, best known for his geometric computer graphic images, created these designs to encompass a variety of today's modern attitudes. These illustrations can be used imaginatively in book ...
ITC Atmosphere
The Algerian designer Taouffik Semmad created the fonts in 1997. Taouffik Semmad grew up speaking Algerian-Arabic dialect and French, studied Russian, and is now living in Montreal. This could ...
Artiste
A casual, open brush script style designed with a shadow effect for a three-dimensional impression by British designer Martin Wait. This typeface looks best with tight letter and word spacing in ...
ITC Lubalin Graph
ITC Lubalin Graph® was initially designed by Herb Lubalin and drawn to fit the requirements of typographic reproduction by Tony DiSpigna and Joe Sundwall in 1974. Its underlying forms are those of ...