ITC Avant Garde Gothic
ITC Avant Garde Gothic was designed by Herb Lubalin and Tom Carnase and based on Lubalin’s logo for Avant Garde magazine. Ed Benguiat designed the condensed fonts for the International Typeface ...
ITC Avant Garde Gothic was designed by Herb Lubalin and Tom Carnase and based on Lubalin’s logo for Avant Garde magazine. Ed Benguiat designed the condensed fonts for the International Typeface ...
Augustea was designed by Alessandro Butti and Aldo Novarese and is one of the most popular classical, monumental letterforms featureing a stone cut effect. This font is based on the classic ...
Hugh Whyte, best known for his geometric computer graphic images, created these designs to encompass a variety of today's modern attitudes. These illustrations can be used imaginatively in book ...
The Algerian designer Taouffik Semmad created the fonts in 1997. Taouffik Semmad grew up speaking Algerian-Arabic dialect and French, studied Russian, and is now living in Montreal. This could ...
A casual, open brush script style designed with a shadow effect for a three-dimensional impression by British designer Martin Wait. This typeface looks best with tight letter and word spacing in ...
ITC Lubalin Graph® was initially designed by Herb Lubalin and drawn to fit the requirements of typographic reproduction by Tony DiSpigna and Joe Sundwall in 1974. Its underlying forms are those of ...
Higher and higher! Arriba burns and churns with the life and spirit of Latin American culture. Its unique style and extensive character font will give all kinds of film, video, print and multi-media ...
Genevieve Cerasoli created the font in 1997. ITC Arnova is a calligraphy typeface with pronounced stroke contrast and rough contours. The characters have pointed strokes and sit on the baseline ...
Aristocrat: a fitting name for this font. A work of British designer Donald Stevens, this elegant script combines intricate capitals with a reserved lower case alphabet, perfect for certificates and ...
ITC Arid was designed by Rob Leuschke in 1997 as a lively calligraphy typeface which looks as though it was put to paper with a piece of charcoal. Generous capitals mix harmoniously with the more ...