Journal Sans
The typeface was designed at the Polygraphmash type design bureau in 1940-56 (project headed by Anatoly Shchukin) based on Erbar-Grotesk typeface of Ludwig & Mayer company, 1929 by Jakob Erbar, and ...
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Herold
The typeface was designed at ParaType (ParaGraph) in 1993 by Vladimir Yefimov based on Herold Reclameschrift by Heinz Hoffman of H. Berthold (Berlin), 1901, and Russian Herold typeface of the ...
Irina
Designed at ParaType in 1995 by Tagir Safayev. Based on informal handwriting (caps-only). For use in advertising and display typography.
Henman
Based on the late 1970s artwork by outstanding Armenian type designer Henrik Mnatsakanyan (1923-2001). That was the only design created by Mnatsakanyan for Latin and Cyrillic. Digital version with ...
Hortensia
Hortensia, designed around 1900 by Emil Gursch for his own Berlin foundry, is a typeface most expressive of the post-Victorian aesthetic that was all the rage in both Europe and America during the ...
Futura PT
Futura was designed for Bauer company in 1927 by Paul Renner. This is a sans serif face based on geometrical shapes, representative of the aesthetics of the Bauhaus school of the 1920s-30s. Issued by ...
Hermes
Both Hermes DTC and Imperial DTC font families are strongly influenced by Schnebel’s work on Latin characters to fit Japanese Kanjis. DTC Hermes is well-suited for office documents, looking good on ...
FreeSet
The type family in four basic styles was designed in ParaType (ParaGraph) in 1992 by Tagir Safayev. Based on Frutiger, of Mergenthaler Linotype, 1976 by Adrian Frutiger. Frutiger font was originally ...
Gvardia
Type family of two weights was designed in 2000-2001 by Oleg Karpinsky and licensed by ParaType. Similar to Ariergard face in letterforms but differs from it by slab serifs, which always project to ...