Aphasia BT
A meeting of Byzantine and Art Deco forms, Aphasia began as a series of handwritten captions to accompany drawings in the early 1990s. The drawings were abandoned to allow the lettering to become the ...
decorative
Tannarin BT
Futuristic and spacey, Tannarin is a modular, cap-only typeface. Many letters are constructed of repeated components with the added twist of the round characters being shorter than the square ...
SissyBoy
SissyBoy, a bold version of Kate Peter’s typeface BabyDoll, was inspired by those shy, sensitive, artistic yet misunderstood young men that were relentlessly teased in their school days. We found the ...
Stingwire BT
Bonislawsky pulls off a beauty in these letterforms rendered with barbed wire. In our view, it couldn't have been done better. Now you can contain the animal in you with style.
Rina BT
Eduardo Manso has brought new meaning to the word distressed. The contours of Rina have been randomly inverted, spiked and split to create this agitated look. Surprisingly, Rina remains legible. And ...
Raven
Raven was inspired by type that Holly Goldsmith found on an antique greeting card. With its Gothic feel, it is the perfect typeface to gain a little bit of an edge. In the companion Raven Extra ...
Picayune Intelligence BT
The unusual name for this Deco style typeface comes from the playful and pun-laden 1960s Rocky & Bullwinkle TV show. It is the name of the newspaper in the mythical town of Frostbite Falls, MN, ...
Windsor
Windsor is an unusual design cut by Stephenson Blake in 1905. Windsor is a bold face with heavy rounded serifs and strong diagonal stress. Capitals “M” and “W” are widely splayed, “P” and “R” have ...
Persia BT
Masoud Nejabati has drawn upon his capable calligraphic skills to create this typeface. Persia represents his first latin-based design. This gentle and finely rendered script reveals Nejabati's ...
PL Davison Americana
Woodblock
Big Limbo BT
This freeform exercise in typographic design echoes the looseness of early 1960's advertising. Brian breaks almost every typographic rule we can think of — but so what? The bold letterforms of Big ...