legible

Metrolite #2

Metrolite #2

In 1929 Chauncey Griffith at Mergenthaler commissioned W.A. Dwiggins to design a warmer and less mechanical Geometric Sanserif to compete with Futura. Dwiggins’ best efforts proved that human warmth ...

Meridien

Meridien

Undertaken in 1957 for Deberny & Peignot, Adrian Frutiger’s Meridien develops the Latin form into a classical text face of brilliant texture. Effective distribution of this exceptional face has been ...

Melior

Melior

A twentieth century modern face commissioned by Stempel and designed by Hermann Zapf in 1952; it is based on his thoughts about the squared-off circle known as the super-ellipse. The type was ...

Avenir

Avenir

In drawing the Avenir® typeface, Adrian Frutiger looked to both the past and the future for inspiration. His goal was to reinterpret the geometric sans serif designs of the early part of the 20th ...

Janson Text

Janson Text

The Janson font was based on the matrices made for the typeface in the 17th century. It originated from the Dutch typeface designer Anton Janson and was cut by Nicholas Kis. The strong main strokes ...

Trade Gothic

Trade Gothic

The first cuts of Trade Gothic were designed by Jackson Burke in 1948. He continued to work on further weights and styles until 1960 while he was director of type development for ...

Helvetica

Helvetica

With the name Helvetica (Latin for Swiss), this font has the objective and functional style which was associated with Swiss typography in the 1950s and 1960s. It is perfect for international ...

Frutiger

Frutiger

In 1968, Adrian Frutiger was commissioned to develop a sign and directional system for the new Charles de Gaulle Airport in Paris. Though everyone thought he would want to use his successful Univers ...

Sackers Gothic

Sackers Gothic

Sackers Gothic is part of the larger Sackers series, a collection of fonts drawn from templates for producing engraved stationery and social cards by Gary Sackers, a Charlotte, North Carolina ...

Excelsior

Excelsior

Before designing this font, C.H. Griffith consulted the results of a survey of optometrists regarding optimal legibility. Excelsior was then presented by Mergenthaler Linotype in 1931 and remains one ...

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