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ID , 'foundry' );
if (!empty($terms) && !is_wp_error($terms)) {
foreach ( $terms as $term ) {
$term_link = get_term_link( $term, 'foundry' );
echo "Publisher: " . $term->name . "";
} } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
ID ) ) . ' font" class="img-fluid">'; } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
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ID ) ) . ' font" class="img-fluid">'; } ?>
Metrolite #2 Font Family was designed by William Addison Dwiggins and published by Linotype. Metrolite #2 contains 1 styles and family package options. In 1929 Chauncey Griffith at Mergenthaler commissioned W.A. Dwiggins to design a warmer and less mechanical Geometric Sanserif to compete with Futura. Dwiggins’ best efforts proved that human warmth had little to do with cool geometry; for twelve years, until the introduction of Spartan, Mergenthaler lost ground to Intertype’s licensed version of Futura.
