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ID , 'foundry' );
if (!empty($terms) && !is_wp_error($terms)) {
foreach ( $terms as $term ) {
$term_link = get_term_link( $term, 'foundry' );
echo "Publisher: " . $term->name . "";
} } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
ID ) ) . ' font" class="img-fluid">'; } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
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ID ) ) . ' font" class="img-fluid">'; } ?>
Component Font Family was designed by Keith Bates and published by K-Type. Component contains 2 styles and family package options. Component evokes the aesthetics of machine-readable matrix barcodes such as QR and Aztec codes, but it could just as easily invoke ancient rituals from a lost civilization. Component is a book-weight, condensed geometric font with patterns of meaning that lie somewhere between mechanization and magic. And there’s a free italic.
