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ID , 'foundry' );
if (!empty($terms) && !is_wp_error($terms)) {
foreach ( $terms as $term ) {
$term_link = get_term_link( $term, 'foundry' );
echo "Publisher: " . $term->name . "";
} } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
ID ) ) . ' font" class="img-fluid">'; } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
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ID ) ) . ' font" class="img-fluid">'; } ?>
DeForme Font Family was designed by Ingo Zimmermann and published by Ingo. DeForme contains 1 styles and family package options. A deconstructive variation of ”Clarendon“DéFormé was born out of the distortion of the time-honored ”Clarendon“ letterforms, in which the stems and thin strokes have been reversed. Thus, a typeface was created which will remind some readers of a Western typeface, and others of the ordinary typeface of a typewriter.Actually, it is still a robust Clarendon, which has survived ists disfigurement quite well. DéFormé, like its ”mother“, is easily legible, in spite of the inherent emphasis which one is not used to seeing.
