Meridien

Meridien

Undertaken in 1957 for Deberny & Peignot, Adrian Frutiger’s Meridien develops the Latin form into a classical text face of brilliant texture. Effective distribution of this exceptional face has been ...

Avenir

Avenir

In drawing the Avenir® typeface, Adrian Frutiger looked to both the past and the future for inspiration. His goal was to reinterpret the geometric sans serif designs of the early part of the 20th ...

Linotype Didot

Linotype Didot

The Didot family were active as designers for about 100 years in the 18th and 19th centuries. They were printers, publishers, typeface designers, inventors and intellectuals. Around 1800 the Didot ...

Frutiger

Frutiger

In 1968, Adrian Frutiger was commissioned to develop a sign and directional system for the new Charles de Gaulle Airport in Paris. Though everyone thought he would want to use his successful Univers ...

Egyptienne F

Egyptienne F

Deberny & Peignot’s elegant humanist slabserif designed as a photocomposition textface by Adrian Frutiger in 1956.

Linotype Centennial

Linotype Centennial

Centennial appeared in 1986 in honor of Linotype’s 100th birthday. The roman and light cuts of the font are reminiscent of the Century typeface, particularly on that of Linn B. Benton and Morris F. ...

Herculanum

Herculanum

Herculanum is a part of the 1990 program “Type before Gutenberg”, which included the work of twelve contemporary font designers and represented styles from across the ages. Herculanum is a work of ...

Glypha

Glypha

Glypha was designed by Adrian Frutiger and appeared with D. Stempel AG in 1977. The font consists of ten cuts and is formally based on its predecessor, Serifa, although its lower case letters are a ...

Frutiger Next

Frutiger Next

Frutiger Next is Adrian Frutiger’s and Linotype’s completely new interpretation of the well known typeface, Frutiger. The goal was to create a complete system of weights, and priority was placed on ...

Frutiger Capitalis

Frutiger Capitalis

Frutiger Capitalis Regular and Outline belong to the group of typefaces for the Linotype’s Type Before Gutenberg project. However, they are not based on direct historical sources. At first glance, ...

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