Quadrille 2

Quadrille 2

This is a simplified Tuscan, free from excessive ruffles and flourishes. Types of this general design began to appear in profusion in the 1830, and continued as a popular form until the end of the ...

Pekin

Pekin

Designed by Ernst Lauschke in 1888 and issued by Barnhart Bros. & Spindler foundry in Chicago under the name Dormer. It was revived in 1923 by the foundry with a new name, Pekin. We have ...

Monument

Monument

This font started life in 1893 at the Boston Type Foundry, but was also cast at the Central Type Foundry. Both were members of the ATF combine formed in 1892. Like so many interesting fonts of its ...

Memorial

Memorial

The Fredrick Ullmer Co. in London acted as agent for many typefoundries, and this was one of their offerings. Some of the letters were rather outlandish, so we fearlessly decided to improve them. The ...

Houdini

Houdini

Houdini was extemporized from the single word "Houdini" on a lithographed poster for the magician. The original was a shaded outline like our Houdini Shaded font, but we felt that a solid version ...

Harlem Text

Harlem Text

This bold blackletter is rather wide, which enhances its readability. In Victorian job printing it was not unusual to find one line of blackletter in a card or handbill, just for contrast. This one ...

Hansard

Hansard

This is a neat lightface font from the 1880s, issued by MacKellar, Smiths & Jordan of Philadelphia. Just a hint of Victorian design on a few letters. All in all a clean, easy to use font.

Goodfellow

Goodfellow

Our font (circa 1895) of this old wood type was made by Hamilton of Two Rivers, Wisconsin, but we have been told that another identical font was made earlier by W. H. Page, Greeneville, Connecticut. ...

Farringdon

Farringdon

An old wood type we picked up in London from the Fredrick Ullmer Company. It's not marked, and we've never seen it in a catalog, so we don't know who made it. We like it for antique-looking western ...

Estienne

Estienne

Many fonts have carried this name. Ours goes back to just before 1900 in France. This general style had considerable popularity among job printers all over Europe. We have even seen it used for name ...

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