legible

Shinn

Designed by Nick Shinn. Digitally engineered by Steve Jackaman. Humanist sans serif with a calligraphic cut and tall ascenders. Light, Medium and Extra Bold designed by Nick in 1985 for Typsettra; ...

Neology

To see the “auto-mix” effect, go to the Webfont page. This typeface has been designed to demonstrate a hypothesis: consistency in letter form and style is not essential to fluent reading. The Neology ...

Worldwide

Proven in newspapers around the world, Worldwide is a classic news face in the modern idiom, somewhat condensed, especially in the display weights. The Regular font of the Text family is loaded with ...

decorative

Walburn

Condensed “modern” family based on the early 19th Century Walbaum typeface. A variety of treatments for use at sizes ranging from text to large display, where the micro-detailing comes into full ...

legible

Beaufort

This type is almost a sans serif. It has legibility proportions, and a very large, useful family with specially adapted condensed and extended sub-families. Compared with type set by older ...

decorative

Artefact

Rearranging the conventional disposition of thick and thin strokes in the Modern (Didone) class of typeface.

computer

Alphaville

All has been said, unless words change their meanings and meanings their words.

decorative

Morphica

This critique of the utilitarian is a perverse and disjunctive mash-up of thematic devices: sans mixed with serif, stroke contrast applied to techno armature, body parts displaced and elided. We are ...

decorative

Eunoia

Eunoia is an eye-popping, high-contrast, condensed, geometric, sans serif typeface. The family is not, as is usual, built around variance in weight or skew, but alternate letterforms. Eunoia is a ...

modern

Preface

Preface vs. Helvetica/Futura/Gill: a different strategy of text color. Whereas the established classes of sans serif typeface achieve a dynamic balance between stroke and space by combining a ...