Lust Pro Didone

Lust Pro Didone

Confident and versatile, Lust Pro™ is an exercise in indulgence—an attempt to create something over the top and vastly useful. If Lust Pro seems both new and familiar, that’s because it is. The ...

Aago

Aago

Aago is year-long project to create sans inspired by Positype's popular Aaux Next typeface, but not beholden to its previous conventions. 54 fonts spread across 3 widths, 9 weights, and each with ...

Marshmallow

Marshmallow

Marshmallow is a fun, fat, super high-contrast script typeface in two variants. A slick connected (Script) and a mellow unconnected (Fluff) style that provides the versatility you need regardless of ...

Good Karma

Good Karma

Good Karma (its namesake) will be extended to you as you use this new relaxed script family. Produced from hand and sumi brush of Neil Summerour, Good Karma is a natural brush textured font family. ...

Scotch

Scotch

Clean, crisp, rational, familiar, modern… serifed. Positype Scotch reaches back to history just enough to produce something warm and easy on the eyes. No corners were cut, no quick tricks… this type ...

Juicy

Juicy

Juicy is different… in a good way. An art deco-inspired, high-contrast, upright semi-script, layered typeface best describes the playful letterforms that make up Juicy Pro (semi-connected) and Juicy ...

Cherry Blossoms

Cherry Blossoms

It’s spring and the Cherry Blossoms are in bloom… and so is the new typeface by Neil Summerour and Positype. Cherry Blossoms is the new relaxed script family in the same vein as Good Karma. Produced ...

Reserve

Reserve

First and foremost, Reserve is a companion typeface developed to complement the Scotch Suite of typefaces. With a focus on producing simpler forms with less contrast, Reserve evolved into a fantastic ...

Decorata

Decorata

How many times have you seen lettering on a book cover, poster, or card and wanted to make something similar? Decorata’s eight intertwining weights finally make that possible in an intelligent way. ...

Grava

Grava

Grava is Neil Summerour’s injection of warmth within the geometric sans font category. Historically, geometric sans families have been based on primal shapes — triangle, circle, square — and the more ...

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