Parity
There is no bicameral Parity. It has been designed from scratch to be an exceptional unicase typeface, uncompromised by the priorities of mixed case or all-cap setting. Each glyph is shaped, ...
Richler
An open, evenly spaced book face designed for quality headlines and enhanced readability in text.
Naiad
A neoclassical fancy.
Pratt Nova
Shaped by constraint to accommodate a large character count, Pratt Nova has massive form: semi-condensed, large x-height, short descenders and capitals. And yet it transcends its restrictive origins ...
Brown Pro
At text size, Brown is a classic grotesque, distinguished by its semi-condensed proportions—especially in the capitals, which harmonize well with the lining figures—and an exceptional clarity in ...
Figgins Standard
To meet the burgeoning demands of commerce, type founders in 1830s London introduced a plethora of new fonts which abandoned the traditional nib-informed model. Most radical were bold, capital-only ...
Gambado
‘Bounced’ is the technical (!) term for a higgledy-piggledy style of lettering in which characters are shaken up by a combination of rotation and vertical displacement from the presumed norm of ...
Boxley
The original superellipse typefaces coincided with the emergence of the CRT (cathode ray tube) TV screen, but there is more than this visual analogy of high-tech in play, as the pumped up angularity ...
Goodchild Pro
Goodchild Pro is a pragmatic text face, equipped for sophisticated academic typography. The face has a large x-height, as there is little point in adding to the stock of rangy “book” Jensons. Despite ...
Dair
Designer: Carl Dair Revived by: Nick Shinn A restoration of the first Canadian-designed typeface, which was completed by Carl Dair in 1967 and named after 16th century explorer Jacques Cartier, who ...