Longbranch

A modern cutting designed to give the appearance of an old wood type. The letters were cut as linoleum blocks about 2 inches high, then duplicated as copper electrotypes. Used for some Ringling Bros. ...

blackletter

Huntsman

Issued from the Haddon Foundry in England. Most of their original faces had names beginning with H, like their own name. Some of their types were designed by Phil May, but we cannot guarantee that ...

decorative

Fandango

Curlicues galore on this modern version of a mid-victorian display type. We started with the caps from a type called Cellini, altered them considerably, and added a lowercase.

decorative

Fairmont

This is one of the Victorian standards for job printing issued by the Barnhart Brothers and Spindler Foundry about 1891. It looks old without being decorative, a good counterpoint to fancier types in ...

decorative

Emperor

Another design inspired by Chinese characters, but with a somewhat less obvious treatment than many.

decorative

Disco

Each letter or character comes in two forms on this font: One as a complete disc, the other as a disc with a segment removed so the succeeding character can overlap the preceding one.

decorative

Tuscan Gothic

This is a Vanderburgh and Wells wood type cap font from 1877. We don't know if the originators made a lowercase for it, but we did. Most effective in larger sizes.

decorative

Tourist

MacKeller, Smiths and Jordan had a font called Giraffe Wide which we liked, but like many Victorian display fonts it had no lowercase. We fixed that!

decorative

Seminary

This began life as a European font that was copied in the United States by Bruce's Type Foundry in 1885. It was caps only and had a fine line "three-D" shadow. We scrapped the shadow, added a lower ...

decorative

Riviera

This is derived from the Marder, Luce foundry's face called Rivet. A nip and a tuck here and there plus the addition of a lowercase make this into a potentially useful font.