WILD1 Toxia

Toxia is a creepy—yes, eerie face, like something wet and poisonous clambering out of the swamp. It’s spooky too—yes, but it’s also frighteningly easy to read. Just don't let it drip on you! Toxia is ...

WILD1 Ruts

Ruts looks like it was found in a rut, and if you can eek past all that splatter, it may just pull you out of one. Talk about having to be brave to use a wild font! Did someone break a lava lamp? ...

computer

WILD1 Nobody

Nobody has a digital cragginess most peculiar to it like this face. The screen isn't breaking up. The chunks you see are real, stair-stepping their way down and around those blocky letterforms at ...

computer

WILD1 Larra

Larra is a hard-edged face that doesn't seem to know where it's going ... it jags this way and that way and back again. It works best in short combinations with radical alterations, so don't be ...

decorative

Iron

The Iron Family is a revival of two classic wood type fonts, but with a modern necessity: the addition of a lowercase character range. With a recent history of identifying everything from Little ...

Droeming

It's the font that inspired a story. Or is it the story that inspired a font? Droeming is a simple experiment in scrawl font technique. Drawn by hand with a very small brush and a few drams of India ...

modern

EARTH A.D.

It's you and grandfather hiding out against a world gone mad! If you were reading comics in the seventies and eighties, you've seen these characters before, their slab serifs dispersed at seemingly ...

legible

Copper Penny

By no means a cheap spinoff of a great original, the Copper Penny family is a completely revamped tribute to Frederic W. Goudy's venerable Copperplate Gothic. After much attention and care, this ...

funny

Greek Font Set #1

Greek alphabets for the fraternity and sorority set. Now an amazing 17 fonts in one pack. Plus you don't just get Greek characters. Romans get in on the act too. And numbers and punctuation--a full ...

decorative

FHA Eccentric French

The curves are vintage and the serifs are big. They're so big that for years I never had the courage to tackle this intimidating font. But when fellow signmaker Frank Smith laid the groundwork for ...