Gazeta Slab
This humanist slab-serif style is an extension from Gazeta font family, the letterform are more sharp, racional and mechanical. Italics are having small differences from roman letterforms, the ...
Lisboa Sans Hebrew
Lisboa Sans Hebrew is humanist sans-serif typeface, the design approach is much more simple and neutral than Lisboa Hebrew font family. Latin transliteration characters were also included.
Gazeta Stencil Ds
This display stencil typeface is extension from Gazeta font family, where the letterform cuts are more mechanical without loosing their own natural structure. Italic versions are not available, only ...
Lisboa Sans Tamil
The design approach from this humanist sans-serif is much more simple and neutral than Lisboa Tamil (lacks the hook-head terminals). Latin transliteration characters were also included.
Lishbona Naskh
This font family is simplified Arabic which was inspired from the modern Naskh style, where the reverse contrast is low and the counter forms are open. The original design is from the Lisboa Sans ...
Nouveau LX Stencil
The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, ...
Nouveau LX Expanded
The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, ...
Nouveau LX
The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, ...
Linka
This font family is display sans-serif with different stylistic layers available as open type font. The main characters are geometric and neutral but when we change the contextual alternates open ...
Linka Stencil
This font family is display stencil sans-serif with different stylistic layers available as open type font. The main characters are geometric and neutral but when we change the contextual alternates ...