Royal Classic Bold
I proudly present Royal Classic Bold script. Royal Classic Bold is the fatter sister to Royal Classic. I only sell the pair, because they should be mixed. Please do not use too many decorated ...
I proudly present Royal Classic Bold script. Royal Classic Bold is the fatter sister to Royal Classic. I only sell the pair, because they should be mixed. Please do not use too many decorated ...
Papas is the typeface I use for my own correspondence. My two sons always used to tell each other: "You are not allowed to use this font, it is daddys!" And daddy in German is Papa. So this font ...
Tamara is a very open kind-of-art-deco script based on some initials for Semplicita made in the 1930s by the Nebiolo foundry. I designed a complete family with three weights. Since I am an ardent ...
Ellida is a very elaborate and elegant script in the tradition of the 18th-century English calligrapher George Bickham and the 19th-century American calligrapher Platt Rogers Spencer. I really ...
Imperium is the official font of the Imperium Romanum, the Roman Empire. Only because my youngest son decided to learn Latin do I know the Romans had another font for everyday use - Scriptura ...
Fleurons are embellishments and here is my second round. I again looked at some old ones and made some new, more modern ones. These go very well with my scripts Nadine and Ellida! Yours once more in ...
Yang is a new Sans typeface that has a little bit of Ying in it. This combination makes it a very versatile font. Just give it a try and you will see. Yours working on the "Ying", Gert Wiescher
Ying is a new Serif typeface that has a little bit of Yang in it. This combination makes it a very versatile Serif font. Just give it a try and you will see. Ying goes together very well with Yang ...
Scribe is an elaborate typeface somewhere in between Bodoni and an English script. It has interwoven capitals and joining lowercase letters. I have tried to make something new that has this old, ...
"Swanson" is the son of the swan. This doesn't make a lot of sense to non-typedesigners so I need to explain. The late, great italian typedesigner Aldo Novarese designed around 1950 a typeface for ...