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ID , 'foundry' );
if (!empty($terms) && !is_wp_error($terms)) {
foreach ( $terms as $term ) {
$term_link = get_term_link( $term, 'foundry' );
echo "Publisher: " . $term->name . "";
} } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
ID ) ) . ' font" class="img-fluid">'; } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
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ID ) ) . ' font" class="img-fluid">'; } ?>
Inversion Font Family was designed by Ian Lynam and published by Wordshape. Inversion contains 1 styles and family package options. Inversion is a display typeface that is based on a rare bit of lettering from a 1910 German lettering book. What was the inspiration for designing the font? I found the base lettering years ago in a specimen and scanned it. I’ve used it perennially for assorted metal bands’ logos, and finally decided to digitize it. What are its main characteristics and features? It is a spidery bit of lettering that would work well in Harry Potter movies or on album covers. Usage recommendations: Display type for use in materials that are meant to have a hand-wrought look circa the turn of the century.
