Hortensia
Hortensia, designed around 1900 by Emil Gursch for his own Berlin foundry, is a typeface most expressive of the post-Victorian aesthetic that was all the rage in both Europe and America during the ...
Hortensia, designed around 1900 by Emil Gursch for his own Berlin foundry, is a typeface most expressive of the post-Victorian aesthetic that was all the rage in both Europe and America during the ...
Futura was designed for Bauer company in 1927 by Paul Renner. This is a sans serif face based on geometrical shapes, representative of the aesthetics of the Bauhaus school of the 1920s-30s. Issued by ...
Both Hermes DTC and Imperial DTC font families are strongly influenced by Schnebel’s work on Latin characters to fit Japanese Kanjis. DTC Hermes is well-suited for office documents, looking good on ...
The type family in four basic styles was designed in ParaType (ParaGraph) in 1992 by Tagir Safayev. Based on Frutiger, of Mergenthaler Linotype, 1976 by Adrian Frutiger. Frutiger font was originally ...
Type family of two weights was designed in 2000-2001 by Oleg Karpinsky and licensed by ParaType. Similar to Ariergard face in letterforms but differs from it by slab serifs, which always project to ...
Designed for ParaType in 2002 by Tagir Safayev. Inspired by the letterforms of Antique No. 8 typeface and other similar fonts of the 19th century (Latin Antique, Wide Latin, Etienne Condensed, Wide ...
The hand composition typeface was developed at the Ossip Lehmann type foundry (St. Petersburg) in 1904-07 (after designs by Alexander Leo?). It was redeveloped at Polygraphmash in 1960s for ...
An experimental type family designed at ParaType in 1996 by Alexander Tarbeev, based on the forms of PT Hermes, 1993, by Tagir Safayev. For use in advertising and display typography.
The typeface was designed for ParaType (ParaGraph) in 1994 by Oleg Karpinsky basing on his original artwork. A decorative face in Op-Art style. For use in advertising and display typography.
Designed in 1989 by Gennady Baryshnikov with participation of Vladimir Yefimov. Based on the calligraphic typeface of 1979 by Moscow book and type designer Pavel Kuzanyan (1901–1992). For use in ...